If I already have all of the ToneBoosters stuff, is there any FabFilter plug-in that I should really get? Export out and that's the song's final form. Subtle EQing into a limiter (FF or TB) keeping the levels at the LUFS standard. I Export/bounce to stereo and then open a new session entirely to master.
Export out and that's the song's final said:įor example: I'll use a great bus compressor like the DDMF or Pro C and make the mix as great as possible. Don't just slap Pro L2 on the master while you're mixing, etc.įor example: I'll use a great bus compressor like the DDMF or Pro C and make the mix as great as possible. The key in my view is to seperate the mix & master, always.
ToneBoosters is great stuff don't get me wrong, but the visual feedback, ease of use, metering and sound of FabFilter plugs is where it's at. To me FabFilter plugs are still the gold standard for most things mixing & mastering. If I already have all of the ToneBoosters stuff, is there any FabFilter plug-in that I should really get?Īs much as I have been digging the new DDMF stereo comp, it is a compressor that definitely leaves a sonic imprint, it just doesn't control level. From what I’ve heard, these are really the two powerhouses for mixing and mastering.